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Antique pieces throughout all the display rooms were arranged to complement the piano displays. Following the construction of the residential tower, the rotunda was converted to a retail space with entrances from the residential lobby and the street. The residential lobby contains gold and silver-leaf murals with ebony and elephant motifs, a reference to the materials used in pianos. The elevator lobby contains custom bronze doors by Nancy Lorenz. Also in the lobby is a mailroom, concierge area, shared toilet, and lounge.
Some tower units have been customized, such as a unit on floor 34, designed by Kelly Behun with a musically-influenced theme. When Carnegie Hall opened in 1891, the piano industry moved uptown to 57th Street, prompting Steinway & Sons to look for new sites in that area. One is a double-deck elevator with a service cab on the lower deck, which also descends to the cellar, while the other is a single-deck elevator. Since 1864, Steinway & Sons had operated a piano showroom and performance auditorium at 14th Street in Lower Manhattan, where the piano industry was concentrated. In addition, each of the duplex units have private elevators connecting both floors in the unit.
By June 2016, the project had risen above street level. The project still encountered financial difficulty and faced a lawsuit from AmBase. However, they negotiated a forbearance agreement on $300 million of the debt and the remaining $25 million was sold to Spruce Capital Management. In January 2017, the developers had defaulted on the $325 million mezzanine loan from Apollo. The developers were in the process of negotiating another $100 million mezzanine loan from Baupost Group to repay Spruce but the loan was vetoed by AmBase.
There is also a sub-cellar and cellar, used primarily for utilities and storage. The 16-story, “L”-shaped Steinway Hall fills most of the base, with frontages of 63 feet (19 m) along 57th Street and 100 feet (30 m) on 58th Street. The roof of Steinway Hall contains a campanile with a pyramidal copper roof and lantern, similar to the Mausoleum at Halicarnassus. Due to its slenderness, the top stories sway several feet during high winds. Christopher Gray of The New York Times described the campanile as having a “sculptural, even funerary, caste”. The concert hall has a setback above the 12th story on 57th Street, and setbacks above the 9th and 12th stories on 58th Street.
The existing Steinway Hall contains a structural steel frame atop a foundation with reinforced concrete and steel grillages. The building has two cellar levels. These deep foundations are necessitated by the tower’s extreme slenderness. Steinway Hall originally had a cellar vault extending under the roadway at 57th Street, which was partially infilled and modified as part of the tower’s construction. The foundations of the tower contain about 200 rock anchors that descend at most 100 feet (30 m) into the underlying bedrock.
Dharmarajan, Sheila (November 4, 2013). “Tall And Slender: The World’s Skinniest Skyscraper”. Fedak, Nikolai (January 7, 2015). “Approved: SHoP’s 1,397-Foot 111 West 57th Street”. Schulz, Dana (April 21, 2014). “111 West 57th Street: The World’s Skinniest Tower Will Rise to 1,421 Feet”. Crain’s New York Business. Sun, Kevin (May 16, 2018). “Building in the shadows: 3.2M sf of new construction being built with this permit”. Mashayekhi, Rey (July 14, 2014). “Tallest freestanding crane in NYC history arrives in Midtown at 111 W. 57th Street”.
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