And what would those Homes be made Of?
It’s important on its own as one of the first devices that could efficiently copy City of Abbotsford selling a portion of Mill Lake park for condos documents. O’Reilly apparently produced only one of the machines and that was for his own personal use — there is no record of his marketing his device. O’Reilly immigrated to New York City from Ireland in 1875. After he developed his tattoo machine, many sideshow and circus attractions began frequenting his shop at No. 11 Chatham Square. In 1891, tattoo artist Samuel O’Reilly was awarded the first patent for a tattoo machine — a device allegedly based on Edison’s stencil pen.
Taking the idea of the telephone and the telegraph a bit further, Edison announced in October of 1920 that he was working on a machine to open the lines of communication with the spirit world. In the aftermath of World War I, spiritualism was undergoing a revival, and many people hoped science could provide a means to access the souls of the recently deceased. The inventor, himself an agnostic who admitted he had no idea if a spirit world even existed, spoke of his quest in several magazines and explained to The New York Times that his machine would measure what he described as the life units that scatter through the universe after death.
Edison poured money into the project, gradually selling most of his interest in the General Electric Company to pay for his work. But the engineering problems were never worked out and the price of iron ore fell, leading Edison to finally abandon his precious separator. All sorts of issues arise when you’re doing something that has never been done before — like running electrical services to businesses and residences. Edison solved this problem by patenting the Webermeter in 1881. The Webermeter contained two or four electrolytic cells with zinc at both electrodes and a zinc sulfate solution. You need a way to measure how much customers consume so you’ll know what to bill them.
Made with air-impregnated foam to keep the weight at only one-and-a-half times that of wooden furniture, Edison’s line of concrete furnishings would be sanded and smoothed into a mirror-like finish or stained to look like wood grain. The cabinets were to be unveiled in New York City at the annual cement industry show, but Edison didn’t show up, and the cabinets weren’t heard of again. He claimed he could furnish an entire house for less than $200. In 1911, Edison’s company molded a piano, bathtub and cabinets that could house Edison’s phonographs. They shipped the phonograph cabinets around the country as a publicity stunt, and Edison affixed stickers on the packaging, asking the shippers to please handle them roughly.
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