I do now i Don’t
Totten said that in order to build 40 Commodore 64 PC workstations for the Mutiny set in season two, “hundreds of different eBay purchases” were required, since the PCs, monitors, and peripherals all had to be obtained separately. Labs in Seattle to obtain vintage equipment. One of the series’s Atlanta-based technical advisors built the complex network of telephone lines and modems that hung on a wall of the Mutiny house set.
Rover’s sudden success results in Series A funding but Donna is suspicious. Facing an intellectual property ownership conflict, Donna fires Rover’s head programmer but refuses to purchase the rights to Cameron’s algorithm, leading to Diane removing her from the project; Cameron signs away the algorithm without compensation. At the hospital, Donna realizes Cameron’s involvement and tells her to stay out of her life. During her ensuing argument with Bosworth about the subject, he suffers a heart attack. Cameron admits to Joe her role in helping his competition.
A financier, Alexa, provides Cameron with funding to work independently. Before they can begin, Gordon dies from a stroke. After Donna opines on the importance of retaining visitors to their sites longer, Gordon is inspired to relaunch Comet as a web portal, which Joe excitedly agrees to. Bosworth admits to Diane that he is in debt; the two marry. When Haley’s school grades begin slipping, Gordon tells her she must take time off from Comet, leading to her storming out.
After a year of working together, they learned that they had each graduated from screenwriting programs in college-Cantwell from the University of Southern California as an undergraduate student, and Rogers from the University of California, Los Angeles as a graduate student. In August 2010, they agreed to collaborate on screenwriting, and their first script, a pilot about the assassination of John F. Kennedy called The Knoll, appeared on the Black List of popular unproduced screenplays. Since the agents thought it was unlikely a network would option a script from first-time writers, their intent was to use the sample script to land them entry-level writing positions in the industry. Rogers referred to himself and Cantwell as “dream-deferred writers”. Their talent agents urged them to produce another script they could use as a staffing sample.
